jac projects

Monday, January 18, 2010

COPY - Dance Lab images January 2010


Posted by Justine A. Chambers at 6:38 PM No comments:
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Labels: CHOREOGRAPHY

One + The Other - excerpts

Posted by Justine A. Chambers at 6:31 PM No comments:
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Labels: CHOREOGRAPHY

Wednesday, January 13, 2010

COPY RESEARCH: January 8, 2010

Posted by Justine A. Chambers at 7:49 AM No comments:
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Labels: CHOREOGRAPHY

CONTEMPORARY TECHNIQUE SERIES - January 18 to February 11



Posted by Justine A. Chambers at 7:44 AM No comments:
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Followers

links

  • Ibghy & Lemmens
  • Mikko Hynninen
  • 14 LIEUX
  • Miguel Gutierrez and The Powerful People
  • Olafur Eliasson
  • Sasha Waltz
  • Andrea Zittel - A to Z
  • mono clothing - heather martin
  • Cirquit Est Montreal
  • Studio 303 Montreal
  • contemporary dance video database
  • oliver laric
  • 'idle' review - plank magazine
  • 'Caesura' review - Vancouver Sun July 2010
  • 'this time' review - The Dance Current
  • 'Caesura' review - The Georgia Straight July 2010
  • contemporary technique classes vancouver
  • Lynda Gaudreau: Compagnie de Brune
  • copy
  • THE BETTERMENT ROOM - choreography by jac
  • elev8
  • POPSTART
  • Propeller Center for the Visual Arts
  • Bruce Nauman - "Stairway"
  • Hunt & Gather
  • Centre Choreographique National de Rilleux-la-Pape
  • Danscentrum Jette
  • Meg Stuart - Damaged Goods
  • Impulstanz
  • kidd pivot
  • ensemble independant
  • EDAM
  • Claire French
  • 605 Collective
  • Modus Operandi - Out Inner Space
  • mutable subject
  • The Cultch
  • the Story of FORCE and MOTION
  • The Contingency Plan
  • The Dance Centre - Vancouver
  • movent

About Me

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Justine A. Chambers
Vancouver, British Columbia, Canada
I have a long term preoccupation with architecture and unspectacular movement (gesture and quotidian movements). Space considerations, both existing or fabricated often act as the catalyst for the content of my work. While movement generation is contextualized by our ‘human-ness’, I look to subvert the inherent and latent narratives embedded in the body to reorganize and potentially obliterate the narrative.
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