Tuesday, September 13, 2011
Saturday, September 3, 2011
COPY: a movmeent based installation
Copy - A movement based installation from Justine A. Chambers on Vimeo.
Created by: Justine A. Chambers and Josh Hite
In Collaboration with: James Proudfoot, Dennis Rosenfeld, Meghan Goodman, Vanessa Goodman, Jane Osborne, Laura Avery, Katy Harris-McLeod, Molly McDermott
Artistic Monitor: M. Simon Levin
Tuesday, April 19, 2011
Wednesday, March 30, 2011
Enters and Exits (working title)
In observation of these behaviours a number of narratives are present. Through the subversion of these physical behaviours (using the tasks of reorganization, repatterning, and distilling the movements...even creating an 'exquisite' corpse of physical acts) I am curious about what new narratives may or may not arise....is the order in which we see the actions necessary to create an intended narrative? Can this subversion obliterate narrative? As of today these are the questions I'm asking myself.
Saturday, November 27, 2010
Enters and Exits (working title) movement research
Exits and Enters (working title) movement research from Justine A. Chambers on Vimeo.
Initial movement research with dance artist Tiffany Tregarthen. An exploration of liminal spaces and 'non places' (Auge). Movement vocabulary is taken from acts and behaviors of those on public transit, transit platforms, elevators, airports and at intersections. Movement structres play with repetition and subversion
Thursday, October 7, 2010
Solos
Justine Chambers Solos from Justine A. Chambers on Vimeo.
Line #1
May 2007
Dances for a Small Stage
On Any Given Day
August 2009
Dances for a Small Stage
Choreographed and Performed by Justine A. Chambers
Monday, October 4, 2010
Monday, January 18, 2010
Wednesday, January 13, 2010
Monday, December 7, 2009
COPY - Studio Showing January 15, 2010
DanceLab studio showing: Justine Chambers and Josh Hite, Jan 15
Justine Chambers and digital video artist, Josh Hite, are currently creating Copy, a multi-disciplinary and participatory work that explores duplication, mimicry, degeneration and repetition. The piece reorganizes traditional expectations of the theatre and the lobby spaces, and proposes a co-creation between both dancers and viewers.
The collaborators are:
M. Simon Levin - artistic monitor
Dennis Rosenfeld - software design and application
James Proudfoot - lighting design
Meghan Goodman, Vanessa Goodman, Katy Harris McLeod, Jane Osborne-interpreters
Erica Trivett - rehearsal direction.
Molly McDermott, Laura Avery - apprentices
This studio showing is presented as part of The Dance Centre’s DanceLab program. Friday January 15, 5-7pm at Scotiabank Dance Centre.
Admission free: all welcome.
Sunday, November 15, 2009
Saturday, November 14, 2009
One + the Other
Embodying the hand positions and holding patterns in the drawings/paintings of Egon Schiele, Justine A. Chambers and Deanna Peters combine forces in One + The Other, an other-worldly look at what is behind the faces that we show. Taking ideas from Erving Goffman’s writings about ‘front’ and ‘back’ stage in the theatre of everyday life, this duet explores the form of the duet in how two bodies in space can relate the complexity of one’s self.
For One + The Other Justine and Deanna researched independently towards creating solos on one another that were combined to form a duet. It is through investing in our relationships - dancer-choreographer, choreographer-choreograher, dancer-dancer, dancer-teacher, teacher-teacher - that we are strengthening our individual processes while simultaneously developing a shared process. Our work is fueled by challenging each other's beliefs surrounding choreography and a shared interest in the dramaturgical metaphor of the self.
One + The Other is currently in its third phase of creation; phases one and two were supported by Fortier Danse Créations, MovEnt and The Dance Centre. Phase three has been supported by Free Flow Dance and Here To Go at The Cultch. We are using each of these modular creation periods as an opportunity to experiment towards a final version to be performed in 2010 and beyond; we are pleased to announce that New Dance Horizons in Regina will be presenting the full-length work in February 2010.
What the press said:
"a mesmerizing clockwork rhythm of repetition, stops, and starts...it wove a spell" (Janet Smith, The Georgia Straight)
"Bursting with eccentric vitality and a spectacularly idiosyncratic coordination of movement" (Roger Wayne Eberle, Review Vancouver)